The Score is the second and final studio album by the hip hop trio Fugees, released worldwide February 13, 1996 on Columbia Records. The album features a wide range of samples and instrumentation, with many aspects of alternative hip hop that would come to dominate the hip hop music scene in the mid-late 1990s. The Score's production was handled mostly by the Fugees themselves and Jerry Duplessis, with additional production from Salaam Remi, John Forté, Diamond D, and Shawn King. The album's guest raps are from Outsidaz members Rah Digga, Young Zee and Pacewon, as well as Omega, John Forté, and Diamond D. Most versions of the album feature four bonus tracks, including three remixes of "Fu-Gee-La", and a short acoustic Wyclef Jean solo track entitled "Mista Mista".

"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel.
The song was written in collaboration with Lori Lieberman, who recorded the song in late 1971. In 1973 it became a number-one hit in the US and Canada for Roberta Flack, also reaching number six in the UK Singles Chart. The song has since been covered by numerous artists, including the version by the Fugees, which won the 1997 Grammy for Best R&B Performance by a Duo or Group with Vocal.

Won't Go Quietly is the second studio album from British recording artist Example. It was released as a digital download on 20 June 2010, with the physical release the following day. Noted producers that helped with the album include Calvin Harris, Sub Focus and Chase & Status. As of December 2012, the album has sold 265,000 copies in the UK.

Always & Forever is the debut studio album by British girl group Eternal. It was released through EMI on 29 November 1993. The album became a sales success, selling over one million copies and yielding six single releases. It is the only Eternal album to feature Louise Nurding, who left to embark on a solo career before Eternal's follow up album Power of a Woman. The album had an American release in March 1994; it reached the lower 100s on the Billboard 200 album chart.

The Marshall Mathers LP is the third studio album by American rapper Eminem. It was released on May 23, 2000, by Aftermath Entertainment, Interscope Records, and Eminem's newly founded label, Shady Records in the United States, and on September 11, 2000, by Polydor Records in the United Kingdom. The album was produced mostly by Dr. Dre and Eminem, along with The 45 King, the Bass Brothers, and Mel-Man. Released a year after Eminem's breakout album The Slim Shady LP, the record features more introspective lyricism including the rapper's response to his sudden rise to fame and controversy surrounding his lyrics.

Relapse is the sixth studio album by American rapper Eminem. The album was released on May 19, 2009, under Aftermath Entertainment, Shady Records, and Interscope Records. It was his first album of original material since Encore (2004), following a four-year hiatus from recording due to his writer's block and an addiction to prescription sleeping medication. Recording sessions for the album took place during 2007 to 2009 at several recording studios, and Dr. Dre, Mark Batson, and Eminem handled production. Conceptually, Relapse concerns the ending of his drug rehabilitation, rapping after a non-fictional relapse, and the return of his Slim Shady alter-ego.

Recovery is the seventh studio album by American rapper Eminem. It was released on June 18, 2010, by Aftermath Entertainment, Shady Records, and Interscope Records as the follow-up to Eminem's previous album Relapse (2009). Originally planned to be released as Relapse 2, the album was renamed to Recovery when Eminem found the music of the new album different from its predecessor.

A word for divas in waiting: beware. Fairy tales are fine, but in the world of music it's a buyer's market for princesses. With so many fairy godmothers working overtime to make sure that their charge wins the prize, it's often down to an indefinable "oomph" that vaunts one pumpkin carriage past the rest. Take Eboni Foster as a case in point: She's got the looks, the pipes, and the credentials (having played with Nuttin' Nyce), but no curtain call. Just What You Want is a good R&B effort, but one ultimately found wanting.

The Great Depression is the fourth studio album by American rapper DMX. The album was released October 23, 2001, by Ruff Ryders Entertainment and Def Jam Recordings. It was DMX's fourth consecutive album to debut at number one on the Billboard 200 chart. 440,000 copies were sold within the first week of the album's release, and it was certified Platinum in December of that year. The album demonstrated his continually strong allegiance with the Ruff Ryders with singles such as "Who We Be" and "We Right Here".

...And Then There Was X is the third studio album by American rapper DMX. The album was released on December 21, 1999, by Ruff Ryders Entertainment and Def Jam Recordings. In 2000, it was certified 4× Platinum and then later 5× Platinum. The album was nominated for Best Rap Album at the 2001 Grammys.

The Writing's on the Wall is the second studio album by American girl group Destiny's Child, released on July 27, 1999, by Columbia Records. The album was produced by Missy Elliott, Kevin "She'kspere" Briggs, Rodney Jerkins, and Beyoncé Knowles among others and included guest appearances from rapper Missy Elliott and R&B trio Next. The Writing's on The Wall spawned four singles, including the US number one-hits "Bills, Bills, Bills" and "Say My Name" as well as "Bug a Boo" and "Jumpin', Jumpin'". This is the last album with the group's original line-up. The album saw the group taking creative control from writing and producing their own tracks working closely with producer and singer-songwriter Xscape member Kandi Burruss. "Bills, Bills, Bills" and "Bug a Boo" were among the first songs written and produced by the group.

Mind Adventures is the debut album by British soul singer-songwriter Des'ree. It was released on 17 February 1992 on the Sony Soho Square record label, and features the UK top 20 hit, "Feel So High". The album became Des'ree's first top 40 album, peaking at number 26 on the UK Albums Chart.
The album was not released in the USA at the time. It got a belated release on 4 April, 1995, after Des'ree's second album I Ain't Movin' had been released there the previous year and the artist was achieving success with the single "You Gotta Be". Since "Feel So High" had been included on the USA edition of I Ain't Movin', the USA edition of Mind Adventures excluded it from its track list.

Ignore the silly "Mr. D.J." intro and you'll discover that Haddon is a bright new presence in the realm of hip-hop gospel who seeks to blend old-school musical values with funky modern production. The thumping grooves and smooth backing vocals behind Haddon's passionate pleas on "D.D." summarize the overall vibe here. Secular audiences can enjoy the beats and his rangy, soulful voice, but he's definitely Christ-centered in his themes. He's not always overly preachy. On the dreamy light funk ballad "Ain't Got Nothing," he's a little more general in his spiritual message, simply explaining that material gain without true love is meaningless.